The Pretty Reckless - ‘Going To Hell’ Album Review
- Follow Me Down
- Going To Hell
- Heaven Knows
- House on a Hill
- Sweet Things
- Dear Sister
- Absolution
- Blame Me
- Burn
- Why’d You Bring a Shotgun to the Party
- Fucked Up World
- Waiting for a Friend
Four years ago, The Pretty
Reckless released their debut album Light
Me Up which embodied vocalist Taylor Momsen’s hair-raising transformation
of ‘good girl gone bad’ and split rock fans into lovers or haters of the band.
Now the New York four-piece are at it again with Going to Hell, an album that’s gritty, hard-hitting and as
beautiful as its cover.
The album opens with the sound of
heavy rainfall and the erotic moans of a woman – as you’d expect from TPR –
before exploding into a sex-fuelled storm of southern-blues rock. The feistiness
continues into title track ‘Going to Hell,’ another fast-paced, bass-heavy
belter which, coupled with Momsen’s drawling tongue, is the classic sound of
The Pretty Reckless that’s worked so well in the past and is genius in its
ability to embody the flavour of the entire album: religion, damnation and an
indifference to consequences. ‘Heaven Knows’ was the first track released from
the album and is a song made entirely for a live audience – with a chorus of children
chanting repeatedly of condemnation and powerful
performances from lead guitarist Ben Phillips and drummer Jamie Perkins in conjunction
with too much clapping and stomping, one can only imagine the angst-filled
atmosphere ‘Heaven Knows’ would create.
‘House on a Hill,’ ‘Dear Sister’
and ‘Burn’ are pleasant breaks from the album’s ostentatious and loud-mouthed
front. ‘House on a Hill’ is in the style of a classic ballad with violins and a
big finale, whereas ‘Dear Sister’ and ‘Burn’ are short, sweet lullabies as bare
as Taylor Momsen usually is. These impressive tracks show a softer side of The
Pretty Reckless and expresses Momsen’s incredible vocal range whilst still
retaining her trademark cigarette-stained twang.
Heavier tracks throughout consist
of ‘Sweet Things,’ which throws a male vocalist into the mix and transcends
from melodic and sweet to metal-style screams, and ‘Why’d You Bring a Shotgun
to the Party,’ a thunderous track complete with the sounds of a shotgun and the
controversial lyrics, ‘wanna make a statement, you should’ve come without it.’ ‘Absolution’
is a stand-out track complete with classic blues riffs and a Western feel, ‘Blame
Me’ is a brilliant four minutes of angst-ridden alt-rock and ‘Fucked Up World’
is another song similar to ‘Going to Hell’ that comments on humanity’s need for
‘sex and love and guns’ and the pointlessness of giving a fuck. Finale ‘Waiting
for a Friend’ has a distinctive country element and ends the album on a sombre
note.
This
album is definitely worth a listen if you’re open-minded or looking for
inspiration. Musically and lyrically, ‘Going to Hell’ is a brilliant album that
mixes a range of sounds and has stand-out tracks that will create a range of
emotions within its listener. Perhaps the aim of this album was to showcase
their impressive talent that the band so clearly possess, but the careless façade
grew wearisome after Light Me Up and
it’s probably time for Taylor Momsen to put some clothes on and concentrate on
her musical talent rather than being rock’s answer to Miley Cyrus.
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