Framing Hanley – The Key Club, Leeds, 27/10/2014 Live Review
Little has been heard of
Tennessee five piece Framing Hanley since
their last UK tour in 2011, but since then they’ve lost and gained a member,
made an album and released a couple of singles. Support
bands The Wilde and Hours are pleasant enough to listen to,
but ultimately flop in igniting a spark of energy from the crowd, and the venue
is pretty dead by the time Framing
Hanley walk on stage.
Although opening song ‘Criminal’ is
one of the belters from their new album ‘The
Sum of Who We Are’, very few members of the crowd react to it. Other songs
from ‘‘The Sum of…’ scarcely get a
reaction, whereas hits from the first two albums, such as ‘You Stupid Girl,’ ’23 Days’ and ‘Back
To Go Again’ get the less miserable fans singing the lyrics back to a band
who are clearly worried at the small turnout. Despite a tiny stage and a
largely disagreeable crowd, Framing
Hanley play as excellently as they always have, with frontman Kenneth Nixon
executing his vocals perfectly, blending soft tones with powerful belting
choruses, and there’s an unappreciated energy coming from the entire band that
would be brilliant if it was captured by a better crowd.
Unfortunately, the only way to drive fans out of their reverie was to
play older tunes, which is pitiful for a band that have tried so hard to push ‘The Sum of Who We Are’. Their famous
cover of Lil Wayne’s ‘Lollipop’ gets the crowd going a little
too late, with less than a handful of songs left.
It’s clear that most people are here to relive the days of their early
teenage years, and the band provide the nostalgia that fans have been sucking
on all night with ‘Hear Me Now’ as
their finale, the track that got them signed in 2006, which surprisingly lets
the night end on a high.
It’s sad that such a passionate and talented band have been reduced to
playing a mediocre venue to a flat crowd. Although the way the band handled this and played excellently despite
it was admirable, after this reaction it’s uncertain what the future holds for Framing Hanley.
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